We all speak movie lines
A quiz
Something has happened to our
American language — and I've a feeling we're not in
Kansas anymore. You'll probably recognize the second part of that
statement as a rip-off from the film The Wizard of Oz.
Being transported out of Kansas is one of a passel of expressions from
movies that have launched a thousand lips.
The very first Academy Awards ceremony
took place during a banquet held in the Blossom Room of the Hollywood
Roosevelt Hotel. The attendance was 250 and tickets cost $10. When the
awards were first handed out on May 16, 1929, movies had just begun to
talk. I would love to have been a time traveler rushing into the Blossom
Room to announce the luminous future of the Academy Awards ceremony:
"Wait a minute! Wait a minute! You ain't heard nothing yet!"
That's what Al Jolson said
in The Jazz
Singer(1927) — the mother of all talking films. Ever
since, lines from the movies have shaped our hopes and dreams and
aspirations.
Richard Lederer
here — and today I'm making you an offer you can't
refuse, which is a version of the line in the Mario Puzo novel
The Godfather, published in 1961 and embedded in the 1972 film
of the same name.
So what's up, doc? That is, of course,
from Bugs Bunny's characteristic question to Elmer Fudd, who was a
doctor.
What's up is that I hope never to
hear from my readers, "What we have here is a failure to communicate,"
or "I'm mad as hell, and I'm not going to take it anymore!" The first
statement is best-known line from Cool Hand Luke, starring Paul Newman,
and the second is Peter Finch's agonized complaint in Network.
May you never sneer at me,
"Frankly, my dear verbivore, I don't give a
damn" — spoken Rhett-orically as the closing line
in Gone with the
Wind. But that's OK
because tomorrow is another day.
Indeed, I think this is going to be
the beginning of a beautiful friendship, a line delivered by Humphrey
Bogart in Casablanca. That
film also gave us "Round up the usual suspects" and "Here's looking at
you, kid."
Read my words about words, and
you'll go ahead, make my day — the signature statement
of the Clint Eastwood character Dirty Harry in the 1983 film
Sudden Impact,
a line made even more famous by president Ronald Reagan. You'll make my
day because love is never having to say you're sorry, an enduring
sentiment from Love
Story.
Who you gonna
call? — Conan the Grammarian! That's a rip-off from
Ghostbusters, and, of course, it should be "whom are you going to call?"
"Conan the Grammarian" is itself an allusion to Arnold
Schwarzenegger's Conan the
Barbarian.
Now identify the films whence came the
following expressions that inhabit our everyday
conversations:
1. They're ba-a-a-ck!
2. If you build it, they will come.
3. Houston — we have a problem.
4. Life is like a box of chocolates.
5. You talkin' to me?
6. I coulda been a contender!
7. Why don't you come up sometime and see me?
8. This could be the end of civilization as we know it.
9. May the Force be with you!
10. Show me the money!
Answers
Richard Lederer
www.verbivore.com
Richard Lederer is
America's word wizard, a fly-by-the-roof-of-the-mouth linguist who is
the author of more than 2,000 books and articles. He is also a Mensan
and a regular columnist for the Mensa Bulletin.
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